• Art Essays , Art Books, Philosophers

    Post-structuralism and Postmodernism

    Post-structuralism and Postmodernism Definitions Post-structuralism is an ontological and epistemological position that emerged in the latter part of the 20th century within the humanities and social sciences. It reflects a move beyond structuralist ontologies of the social world, including Marxism, structuralist anthropology and psychoanalysis, in which core social, cultural or psychological structures are considered to constrain strongly the possibilities of human action. Post-structuralism retains structuralist concerns with power relations but emphasises the role of knowledge and textual processes in achieving and sustaining relations of power. Postmodernism is closely associated with post-structuralism, and might be thought of as the “political wing” of the latter perspective, in the sense that is suspicious…

  • Art Essays , Art Books, Philosophers

    Ways of seeing, John Berger – Download Free PDF

    John Peter Berger was an English art critic, novelist, painter and poet. His novel G. won the 1972 Booker Prize, and his essay on art criticism, Ways of Seeing, written as an accompaniment to the BBC series of the same name, is often used as a university text. He lived in France for more than half a century.   Download Free PDF Click the Link ways of seeing Free Download         

  • Art Essays , Art Books, Philosophers

    Modernism in South Asian Muslim Art

    Introduction This book traces the emergence of modernism by artists associated with “Pakistan” since the early twentieth century, but it is not a broad history of national art, nor does it seek to offer a complete an account of the selected artists considered here. It traces one influential genealogical trajectory—the emergence of artistic subjectivity in relation to a constellation of conceptual frameworks, nationalism, modernism, cosmopolitanism, and “tradition.” Although artists contributed to national life by forming new institutional frameworks for the patronage, exhibition, and reception of modern art—labour that is an inextricable aspect of their personae—the addressee of their art cannot be simply equated with Pakistani nationhood marked by aporias and…

  • Art Essays , Art Books, Philosophers

    David Evans, Seven Types of Appropriation in Art , PDF File

    Types of Appropriation in Art NOTE: DOWNLOAD PDF FILE CLICK HERE  Steve Lafreniere, you weren’t at Douglas Crimps” Pictures” display, but many appear to believe that you were there, perhaps the reason was the later relationship with  Helene Winer, Who was in artists place before beginning Metro Pictures. Did you sense the Alliance to the artists in the ‘Pictures’ display? Richard Prince, i have nevermore said this earlier, though Doug Crimp really asked me to be in the display. I studied his essay and described him as it was for shit, that it appeared like Toland Barthes. We have not chatted since. To the editor: I have no fantasies about…

  • Art Essays , Art Books, Philosophers

    Kristie Miller Thing and Object//2008

    Things and objects are evenly original, they are utterly two distinct classes of an entity, where ‘entity’ concerns, in this spirit, to the common ontological division. It is correct that things are innocent ontologically, in the thought that unlimited compositionists use the phrase: nothing further is needed for their being than the actuality of some details. The system of, and associations between, those details are unrelated to whether a thing subsists and to what kind of thing it is.  A thing survives just so long as the details that are elements of that thing exist. The identification provisions for things are just identification provision for mereological coalitions, simply to be…

  • Art Essays , Art Books, Philosophers

    Susan Stoops, Artist Martha Rosler: Bringing the War Home (1967-2004)//2007

    I started assembling agitational works ‘regarding’ the Vietnam conflict, collaging magazine pictures of the Misfortunes and warriors of the battle – habitually by well-known photographers in heap business publications – with publication images that represented an idealized average-class life at the place. I was striving to register that the ‘there’ and ‘here’ of our system view, described by out conformed stories as separate or yet contrary. Martha Rosler is one of the prominent  American artists who work video, photo-text, photography, sculpture, installation, and performance, she also writes about culture and art. Rosler’s work is focused on daily life and the public circumference, frequently with an eye to women’s expertise. Born: July…

  • Art Essays , Art Books, Philosophers

    Arjun Appaduari , The Thing Itself // 2006, Documents of Contemporary Arts

    Arjun Appadurai is an influential Indian-American anthropologist perceived as a significant theorist in globalization subjects. He explains the value of the modernity of community countries and globalization In his anthropological practice. Born:  February 4, 1949 (age 70 years) Mumbai, India The Thing Itself […]how does the gift delivering work in a capitalist, market-obsessed culture? On the surface of it, the present is the specific reverse of a structural part of the business community. The products, in abstract, prevailing form, the commodity is usual. Each one is intrinsically alike to the others. Accessible to anyone. It has zilch to accomplish by who has presented to who, and its significance is determined…

  • Art Essays , Art Books, Philosophers

    Jacques Derrida, Signéponge/Signeponge//1975, Subject, Object, Thing

    Jacques Derrida   Algerian-born French scholar,  known for cultivating a pattern of semiotic critique known as deconstruction, which he addressed in various texts, and explained in the meaning of phenomenology. One of the significant personalities correlated with postmodern and post-structuralism philosophy. Date of Birth: July 15, 1930, El Biar, Algeria Died on October 9, 2004, Paris, France Signéponge//1975 […] ‘[the poet] Francis ponge will be my thing ‘ should give us a possibility to test out the source of the thing.No lasting simply the Natura Rerum, about which he speaks about very thoroughly to us, but the order of the subject, not the system which dictates the order of things, the one which theories and psychology…

  • Art Essays , Art Books, Philosophers

    Karl Marx, Grundrisse//1858, Everyday objects, Useful objects

    Everyday objects, Useful objects Unprocessed material is gulped by being modified, developed by labour and the apparatus of labour is consumed by being used up in this process., consumed out, labour is also consumed by being engaged at the same time, set in to movement, and the specific amount of the worker’s brawny force, etc. is thus extended so that he exhausts himself …… Karl Marx was one of the most influential and striking  German philosophers we can have, historian, economist, sociologist, journalist, political theorist and socialist revolutionary. He was Born in Trier, Germany, Karl Marx studied law and philosophy at university. His most famous writing include The Communist Manifesto…

  • Art Essays , Art Books, Philosophers

    Julia Kristeva, Thing and Object//1987, Documents of Contemporary Art

    Thing and Object The pessimistic narcissist suffers not an object yet the Thing. Let me declare the ‘Thing’ as the original that does not allow itself to significance. The middle of gravity and aversion, the foundation of the desire from which the object of passion will become isolated. Of this Gerard De Nerval provides a dazzling metaphor that intimates an insistence without proximity, a lantern without representation: The thing is a black and white fancied sun, black and white at the related time. A well-known phenomenon that one never witnesses the sun in a dream. Although one is frequently aware of some far flashing light. Regularly the obsolete affection the…

  • Art Essays , Art Books, Philosophers

    Kurt Von Meier, Piles//1968, Documents of Contemporary Art

    Piles A pile being a work of art is no problem  – not since Marcel Duchamp. Art is not a thing – it is an event (at least since Heidegger) for the creative act in the mind of perceiver/creator: Real objects may accustom an aesthetic function. , yet they may not be necessary for a nonexclusive concept of art (as in dance, the music, bullfights? rational chess). Also following Duchamp (e,g ‘ Rou de Biyclette’ (Bicycle wheel 1913) it has not been intensely necessary for the artist to be one and the same man who made the object/thing in the spirit of ars fabricans. Artist’s imaginative act may consist in…

  • jacques lacan
    Art Essays , Art Books, Philosophers

    Jacques Lacan Das Ding (The Thing)// 1959-60, Documents of Contemporary Art

    French psychiatrist and psychoanalyst  who has been described “the most provocative psycho-analyst since Freud” Born: April 13, 1901, Paris, France Died: September 9, 1981, Paris, France Das Ding (The Thing) The Sache ( In Sachvorstellung, Freud’s term for a ‘thing-notion,) is precisely the thing, an output of industry and of human activity as administered by language. Nevertheless absolute they may first be in the genesis of that action, things are constantly on the facade, always within span of an explanation. To the degree that it is subjacent to and inherent in every human behaviour, that activity of which things are the outcome belongs to the preconscious system, that is to say, something that our…

  • Art Essays , Art Books, Philosophers

    Jean Baudrillard, In Conversation with Guy Bellavance//1983// (Subject, Object, Thing), Documents of Contemporary Art

    Jean Baudrillard: one of the most influential French philosopher, sociologist,  political commentator, cultural theorist and photographer. known best for his critiques of contemporary, media, history, and technological ideas, as well as his formulation of methods such as simulation and hyperreality. Born: July 27, 1929, Reims, France Died: March 6, 2007, Paris, France In Conversation with Guy Bellavance//1983 // System of the objects Jean Baudrillard The Banality of the masses and the speechless majorities is all character of the ambience. But it still inhabits a mortal artifice: in additional words, it is something strange for itself, inescapable, also mysterious, a native type of fatality. It is something at the core of the regularity, at the…

  • Art Essays , Art Books, Philosophers

    On subject and Object//1969, Theodor W. Adorno, Documents of Contemporary Art

    On subject and Object The difference between the subject and the object is divided by both subjects and through the object. It can not be more absolute than it can be eliminated from thought. In reality, anything in the subject can be attributed to the object. Everything in it is not an object, “is” it opens semantically. Traditional epistemology’s pure subjective form, according to one’s own theory, is always the only form of something objective, never without that objectivity, or even imagining without it. The strength of the epistemological ego, the identity of self-awareness is evidently registered after the permanent, twin object; Kant fundamentally relied on this, He was not…

  • Art Essays , Art Books, Philosophers

    Object-Oriented Returns ,Chapter III

    In 1999, Krauss put forward the expression ”post-medium condition” not only to argue that the era of the discreet identifiable medium had passed but also, paradoxically,” to retain the world” medium, because for all misunderstandings and abuses attached to it, this is a term that opens on to the discursive field ”that she wants to address by describing certain art practices such as those of Marcel  Broodthaers, Krauss is able to keep the spectre of mediums alive it is precisely a spectre and after-life of the medium, alive only in dreams, memory and fiction. Broodthaer’ work from 1971 MA collection enables Krauss to read, after many others, the artist as…

  • Art Essays , Art Books, Philosophers

    De- and Re- Materialization of the (Art) Object, Chapter II

    Artists are still associated as the maker of the objects, the particularity of the artist’s objects may be the multiple uses to which they can be put; from the economic value in a private or public collection to the aesthetic value, they are assumed to offer. Another essential characteristic is precisely the interfacial and ambiguous quality the art object between fellow objects and regarding subjects, almost despite its physical properties; as a fundamentally ‘open’ object, the artwork may be enhanced by size, matter or elevated position, but no amount of material justification will guarantee its aesthetic value. Unlike Plato’s beds or tables, Maurice Merleau-Ponty’s apple and Heidegger’s shoe struggle with…

  • Art Essays , Art Books, Philosophers

    Each object is Art

    Antony Hudek is a writer and senior lecturer at Liverpool school of art and Design, he is also the translator of the works done by Jean-Francios Lyotard, one of the famous writer on the contemporary art, co-publisher of occasional papers and independent curator and the research he was conducting on objects belonged to UCL Museums and collections. Later on, he has elaborated and deconstructed the objects and their role in our daily life and as an art. He was born in Geneva, After the study of Visual Art, he took his interest in art history and after PhD, Hudek was a researcher at many Jan Van Eyck Academie, and AHRC…